The Lissitsky (1890 – 1941) is one of the representatives dle pirncipales pioneering abstract art and constructivism in their country. He was a painter, architect, typographer, photographer and graphic designer. Educated within a Jewish family, from his earliest youth he was attracted by the drawing. Malevich in 1919 coincided with, coming into contact with constructivism. That same year he painted a series of abstract works that collected under the name “Prouno” (Russian acronym ‘for the new art). These paintings introduce three-dimensional illusions through the use of architectural forms with some effect, since persugue a synthesis of the concepts of architecture with painting.They have evolved from simple paintings and lithographs to full facilities in three dimensions, and these are the basis of subsequent experiments enarquitectura and exhibition design, with changing axes and multiple perspectives. The bear tried Lissitsky Suprematism beyond. A year later he composed “A Tale of Two Squares”, a symbolic text Demestre propaganda ability of the new art. In 1922 he moved to Western Europe to spread the ideals of the avant-garde, knowing components of the De Stijl became an influential figure in abstract art. That same year he founded the constructivist group.Among his most representative works can be named “Showcase abstract” and “Showcase Proun” As an architect include his “Tribune Lenin and his project” Rascanubes “a sort of horizontal skyscraper which never got built. In recent years of his life he felt the need to collaborate with society so committed to the Soviet Union to devote his artistic potential of this state propaganda. She put aside painting to devote himself to experiment with photography, film , graphic design and anything that had impact on society and revolution. He managed to capture the spirit of modernism, of De Stijl, the Bauhaus, the avant-garde Parisian, the Russian Vkhutemas and approaches of artists like Malevich, Grosz, Man Ray … In his facet as a photographer were a number of commercial designs for the company Pelikan. His work advertises specific items such as ink, paper, typewriter ribbon and charcoal using the immaterial, ephemeral creations with characteristics of frames. The frame is something known as’ photography without a camera. “Abound in his work geometric shapes, the combination of art and architecture, an order and structure are interrelated between the two points tesi n of painting. The straight line creating a dominant direction of our gaze, the touch is gone and breaks through the static and dynamic three-dimensional treatment.At present a three-dimensional language the artist is breaking the boundaries between painting, sculpture and architecture. The typeface he uses in his works is critical, it is impressive and accurate for this type of propaganda art.